App. Be bloody, bold, and resolute; laugh to scorn
The pow’r of man, for none of woman born
Shall harm
Macbeth.
………………………………………………….
App. Be
lion-mettled, proud, and take no care
Who chafes, who frets, or where conspirers are;
Macbeth shall never
vanquish’d be until
Great Birnam wood to high Dunsinane Hill
Shall come
against him.
Shakespeare: Macbeth, Act Four, Scene One
The Un-doing of Whacky
f any of you are thinking what these 1959 elections
brought me by way of perks or even accruements to my official status
at the hall, just quickly forget
it. The menu by some mysterious trick improved. The lads and lasses ate even
more voraciously - and left me no extra fish bones. I was even beginning to
regret the democratic change. Everything generally improved. Even the
records that grated in the lounge radio-gram from certainly before the war years
were replaced; by a strange trick of reasoning which surpasses the logic of
my feline race, this only increased the gossip sessions on the first floor,
and I found it difficult to find quiet corners for a peaceful snooze.
To cure myself of chronic insomnia, I used to lie in wait for the
billiard-buffs “Mars Bar” Sahathevan [Victorian, class of 1949 or 50] and
the bongos-playing Tunku Ibrahim, in the deep basement billiards room
entrance which was always under lock and key, the two soft-spokenly taciturn and
utterly sober lads of the Bryanston Square block. Saha was known as
“Mars-Bar Saha” for he always carried a Mars bar in his pocket; one rightly
wondered how many pockets he had, for he never failed to bring out a bar
whenever you approached him and chewed on it (some said this was because he
feared you might ask for a bite out of it yourself) like on a tobacco cud.
Mars and Saha were so inseparable, his skin turned mars colour. Short, handsome
with well-combed straight-hair invariably parted on the left and - you guessed
it - on the plumpier side, he finally ended up in Brunei(I think the
Sultan there, another Victorian, didn’t bar the Mars bar or put a
levy on it) with his law practice and the English girl, the only girl he must
have known who bred for him well and truly, I hear.
The only trouble was the click-click-clickety-click of the balls rolling
smoothly on the green turf, which knocked in my brain thereafter, but I didn’t
mind, being of a robust constitution myself, fed freely on government paid chow,
since it was better than having to listen to Ponna’s interminable gravely voice
or the other Bala’s monotonous punctured drawl. It might interest you to know
that the Keeler girl offered me a cure in her bunker back of the hall, but I was
averse to high cabinet-level political chat, and so I declined, preferring the
endless knock-knock of billiard balls in my brain. If you want to know, that's
the kind of ascetic I am!
To tell you the truth, I was almost half-wishing for the old days when
nobody cared about what happened to the place. The tida-apa-titude feeling which
reigned in there for half a dozen years now was gone for good. Even the
never-ending tuning of the black upright piano on which Sothie Doraisamy
(an ex-MGS 1951-52 post-school certificate Victorianne who married a
Mumbai-ite and never returned and whose father was the eternal general secretary
of the Ceylon Federation of Malaya) and the already acclaimed concert pianist
Yu Chun Yee practised their sonatas and concertos in the “games room”, or
improvised concert hall, was once and for all put to rights. The piano would
have been alright if it had not been for the numerous two-finger Bar-student
self-styled virtuoso “pianists” taking turns during dinner time (for how else
could they command an audience) to thump-thump the poor “ebony-and-ivory” board,
but this practice gave the Warden an opportunity to pick up an intimate
relationship with the piano-tuner, and the latter made it a practice of becoming
a regular visitor to the Hall.
I heard at one of Ponna’s sessions that with the tuning costs alone
for a year a grand piano could have been easily installed at the hall, but I
think this’s certainly an exaggeration, and I’m sure you realise by now I’m not
given to exaggerating like the Hollywood Cartoon Cats unless you are one of
those curious creatures better known as ailurophobes. Don’t blame me for
using such big naughty words: “I aint guilty! I didn’t coin it.”
The toilets at last were frequentable: you could even look where you were
doing what you were doing. The cuvets were no longer stopped up with rolls
and rolls of toilet and fish-and-chips wrapping paper with the fish and chips
still sticking to the oily paper, including cigarette stubs, and some kinds of
sticky rolled-up rubber balloons which never really took off. The hot stuffy
sweaty sauna atmosphere which had gathered in there for at least a decade or two
was subject to a fresh thrashing by currents of fresh spring-perfumed air from
Regents Park . The old musty stink chased by the fresh blast must have
settled down back where Christine held her daily adult-education séances.
***
One fine day, Ponna came breezing into the dining-hall with
the cutest damsel I ever laid a paw on. Her auburn hair collected in a jingling
pony tail did things to me. I said to myself: “This chick’s sure an
ailurophile!” And was I even remotely wrong? Next thing you know, she
purred and gave me the come-hither look, her long sleek eyelashes flashing
like a Singapore Prison cane on some soft unexposed patch.
“Timmy! Timmy!” she called with that soothing tongue of hers, her
fluffy eyelashes flick-flamed around her carved almond eyes. “Hey, Timmy
Baby, come hither Baby!” she called. You must be naturally wondering how she
knew my name, as if this’s a ninth-day wonder of a mystery. Everybody knew my
name by then, even up at Scotland Yard HQ they were talking about this cat who
got the rats up and running! So don’t be envious, just read on…
The hall came to a halt. All eyes were fixed on her and the target of her
solicitations. To be quite frank, I was feeling rather put out. All this
attention was a bit too much for my heart which ticked away like the American
NIT cesium-powered clock running amuck among the Swiss cheeses.
I didn’t realise she had dropped a bomb, pronounced the unmentionable
word. Ponna, his close curly black wig of a crop gripping his
always-perspiring skull on a head stuck deep in an-open-bracket convex body,
came round to her and whispered something in her ear, very cosy like. That kind
of chumminess I didn’t much go for right then, but I heard later on this sort of
familiarity was permissible, for her businessman father was a partner to Ponna,
and she was entrusted as a ward to him while in London. She even lived up
Finchley Road with him and a few others, I heard. That just goes to show how
business partners can take enormous risks with their family property.
“Oh!” she said and looked at me in a gonadectomized way. "Come kitty kitty,
come baby!” she cooed. And repeated herself several times. Everybody relaxed and
resumed dining and raising the usual knife-and-fork Chinese wayang din. I was
furious. I don’t go for that sloppy “kitty-kitty” stuff so common among
ailurophobes in the hall. This gorgeous gal picked me up…[ Censored: Okay, lads and lassies under eighteen, lay off reading
and come back after a glass of milk.] I spent the rest of
dinner-time on you-know-whose belly while I was fed choice morsels of curried
meat, roasted prawns, and …and... (anyway I don’t see why I should be telling
you lot about my new-found joys and privileges!)
To cut the story down to the bare hints, no-one ever dared mention my name
any more lest this Whacky fella turned up to crank up another revolution.
Anyway, we saw less and less of him. His cooking job kept him away from the
hall, well, let’s say it out loud: from this Hon’rable Society of the “Malaya
Inn” (no doubt you’ll understand by this the fifth column of the Inns of Court -
the other four bastions of the law being Lincoln’s Inn, Grays’ Inn, Inner Temple
and Middle Temple - the trouble is I could never quite make out if it really
wasn’t a temple at that what with the Mason’s Arms and Lodge close by, in other
words: Hon’rable Society of the Malaya Temple).
***
Whacky shared a double-room with E. Balasubramaniam at
48, Upper Berkeley Street. The two got to know each other at Whacky’s siblings’
place up in Manchester where Bala was struggling to qualify as a B.Sc. civil
engineer on a government scholarship right from the days he passed out from King
George the Vth School in Seremban in 1953. In London, he was doing his one-year
compulsory apprenticeship in a firm. Bala grew up in Kuala Pilah where
his father toiled in the P.W.D. So Bala too was aiming to follow in the
father’s plodding steps, only he became the Deputy Director General of
the big-money contracts joint. If it was not for his rather slight build, fine
short nose, not too pronounced lips, and overly bushy body, he would have had a
hard time convincing anyone he wasn’t an African or an Australian aborigine: he
was totally black-skinned,covered with a crown of uncombable black curly hair.
German women would stop in the streets just to dig their fingers in his hair!
I can’t say what they did with the loads of Bryl-cream they brought up in their
hands! Not that Africans were not fine-nosed and thin-lipped too, but just
that Bala was a mélange of Aryan features and his (ours as well) Dark Continent
throwbacks. What however made him stand out was his switch-on/switch-off
dance-floor smile. He would lightup at any moment as though someone accidentally
knocked the power-switch on - especially at awkward moments - and the smile
would iron out all frictions. Since he was from the ULU, Whacky thought it
wasn’t such a bad idea to get him into the MSU-committee. Only he didn’t
realise to what an extent!
Whacky got his chow at the Catholic hostel in which he was the chef, cooking
as it were for himself as well. Now and then he would pop in for a curried
dinner on his day off. Until one week day, he turned up right in the middle of
dinner time. Ponna later wagged about this. He chucked up the cooking post - at
the point of a long meat fork and chopping knife wielded by the Spaniard
assistant cook on parole for good behaviour.
Zain was the first to greet him. A surprise to some but not to those
who knew the man. Zain Azraai, the impeccably dressed gentleman, was just
as correct in his manners: no grudges, no loss of face. He was his usual self.
It was almost as if he felt relieved by the ousting he got, and he seemed not
to mind it at all. In fact, both Whacky and Zain, the old
Victorians, behaved as though nothing had happened with the elections. Whacky
appeared to appreciate the man even more after that. Curiously, I heard Bala
holding forth on Whacky one day. He seemed to know a lot about his room-mate.
Later on, this kind of knowledge stood him in good stead in his meteoric
career in government service. He said Whacky was offered the scholarship to
Oxford first, and when he turned it down, Zain got it. Whacky apparently had
something against returning to serve the colonial administration for five years
after coming down from Oxford. Zain must have been aware of Whacky’s position
and must have sympathised. The unwritten code of honour of Old Victorians,
eh?
I was already wishing after watching these two that the next time round -
don’t get me wrong, I don’t go for all that crap about reincarnation - I mean if
some hon’rable member of the Malaya Inn or Temple would take me back with him, I
would certainly like to have become - since I would enjoy the status of a
“London-return”- Head Pet-Cat of the VI! What's this school that produces
geniuses by the dozens every year? Perhaps it's all due to the rojak they serve
in the tuck-shop for a mere five cents! Besides, the proximity to the Thai
border regions might have earned me the favours of a bevy of the Siamese breed
instead of the badly crossed-up one-and-only Siamese She-Cat in these here
parts.
Did I say things began to pick up at the Inn? Well, perhaps, I
was exaggerating a bit. That would be underestimating somewhat the boys back in
the capital. Give or take a few weeks, June was already at hand, lectures were
over, and the summer heat stealthily climbed up one’s thighs, and with nothing
so much as exams to worry about all this sort of slowed down the initial burst
of revolutionary activity. Besides, every lad after chow headed for the
British Council to get first knock at the au pair girls from the
Continent, for that was the period when trainloads of them landed at Victoria
Station. Then after dinner, the place simply emptied out, except for some local
girls eating their hearts out in the dining room. If you wanted to speak to a
Malaysian or Singaporean, you would have to waylay him, as for instance
E.Bala, right in front of a nightclub in Swiss Cottage. I say “in
front” not without proper cause. Once they crossed the main door, their legs and
arms and torsos would jerk, jitter, and jive tout azimuth and when they
would have sweated buckets even barrels of brandy and whisky by closing time,
they would have to be lugged half-dead by their hefty and beefy girls from the
Continent home for the night. And where do you think they all ended up?
You guessed right. Only the Warden had stuck up a "dos" and "don'ts"
rule-sheet on the notice-board, and the one that interested all the boys was:
"All visitors must vacate the premises before eleven!" The question is,
What is it you can't do before eleven that you can do after eleven! The
always-reeking Hungarian caretaker cleaning the basement and kitchen from that
hour on was gatekeeper and Spanish serano until dawn. If you rang the
bell after eleven for the first time, and he opened it to let you in, you might
more than likely take to your heels, for he looked like - Bless his Soul! - a
Dvarapala, the terrifying guardians of Hindu or Buddhist temples:
dishevelled from stooping under dining tables to pick up what I only knew was
there, his hirsute and Gargantuan physiotherapist's stubby blubbery fingers and
Popeye forearms, his wobbly flabby all-round belly outsizing Asterix's, he
literally breathed out ammoniac detergents at that hour. But if you could spare
a few half-crowns or were on good terms with the turbanless substitute meals
ticket-seller who was reputedly fiancé-ed to the caretaker's frail
anaemic-looking daughter, you could gain entrance to the place even if you
brought along the band of hard-drinking and raving Russian komsomol and
Kosack light opera dancers with you. Only trouble was that from about two or so,
the insomniac Warden would be prowling around with his ear to walls and doors,
and you might find yourself being hauled up and having to declare
intermission time in the middle of the act.
For me, the problem of having to find a long moment of shut-eye became a
chimère. After eleven, the entire place heaved and hopped, creaking weazing
noises like old-time fire engines belching the steam-powered brakes and shunting
to and fro as in the Kuala Lumpur Brickfields marshalling yard kept me up. It
was then that I'd take a walk in the sidewalk, just when the Siamese-Cross
She Cat was returning from her walkabout tour of Hyde Park.
"What's going on in there?" she wanted to know one night. "Every
time I pass by at this hour, the hall block sounds like an army of Swiss
yodelers trilling their vocal chords!" If you're wondering about this
chick's lingo, stop heating up your brain. Remember the Siamese learnt their
English from "Anna", and bear in mind that I'm not likely to keep
low-class company: she plies her trade, mind you, in the Empire's Metropolis
of Parks, the Hyde Park (the reason why Robert Louis Stevenson also
chose Mr. Hyde to represent the better half of man) and not just in any
cheap dingy East End dump!
"Oh, that," I said, as though it was already in the morning papers,
and you can also see how my tongue also gets affected while in her company.
"Just some Swiss chicks practising the art of falsetto singing for their
Federal (Inter-Cantons) Annual Chinese Wayang Falsetto-Yodeling
Championships."
"Odd thing, they'd want to rehearse just when everybody's gone to
sleep," she said. She was swaying her hind chops, and she popped the
question that most concerned her. "Who pays them to rehearse so late?"
"Oh that, that's no sweat," I said. "They get what's known as
retarded payment. The Swiss chicks leave behind numbers, very special numbers.
In fact, these numbers are secret, only known to the gals and their beaux. The
boys go back, rise in government service, and then send back to these numbers
millions ... of dollars US, of course."
"That sounds like a very lucrative deal," she said as though she was
making a remark about the Mona Lisa's leer at the Louvre.
"You're telling me? The monthly interests from those sums themselves would
be enough to feed the destitute of Africa, Asia, and Central & South America
for three centuries."
The Siamese-Cross Cat appeared to be turning things over in her mind for a
while and then she said: "You know, Timmy, I got a good voice too. Can I join
the troupe?"
"Naaa...aa," I said and looked at her pitifully askance.
"Do you want to sample an aria of my voice right now?" She insisted so
much I was afraid she might at any moment start caterwauling, and the police
would be down on me thinking I was violating her virtuous-virtuoso gifts.
"Oh, no, that wouldn't be really necessary, I believe you," I said.
"I'm sure your gifts in this domain are stupendously legendary." I was
only trying to reassure her.
"Then, you can at least put me on the chorus.
You have an official position in this residence. I'm sure your word
carries a lot of weight with the hierarchy in there."
"I'm afraid you got the whole thing upside down.
It's a question of pigment. Your fur has got to be blonde white. The boys
in the high-up back there are colour-blind! The only colour or rather
non-colour they can see is white."
"Look, Timmy! I got some white hairs right
here on my under-belly! Won't these suffice?"
I took a good look from my lowly position and shook
my head thrice. She must have taken my silent disaffected head movements
as a personal slight for her bushy brown tail all of a sudden stopped whisking.
After that night, she didn't even stop by the hall
for the usual chummy-chat with me. I should have accepted Christine's
offer of a soothing cure!
In the meantime, the tax clerk’s gibberish reports
must have reached the head of the pile through the so-called law student
boss at the MSD. The latter’s warped interpretations of what took place
in the months leading up to the elections based on the bitter-infused
telephone calls from the Mason’s Arms must have collided with the accounts
in Zain’s English, upsetting as it were normal comprehension since
none in power ever understood or spoke the Christian tongue with any
recognisable facility, a curse - if there was one - which hounds all
in the hierarchy since then..
The result of these hectic gathering of reports was
that Whacky came under severe surveillance. A couple of sullen-looking
and brooding dusky Tamils, one from the island and the other
from the peninsula, suddenly broke upon the scene. They followed Whacky
around the hall, even into the lavatories. And whenever they found Whacky
all by himself - which was rare - they tried to provoke him, but somehow
the encounters never developed into chargeable brawls, for right at the
crucial moments when voices and arms were raised, someone or other would
inadvertently step into the scene and foil things for the boys.
Whacky was lucky enough to find himself a
white-collar job soon after he lost his chief cook's post and that kept
him away from the hall; but when he turned up now and then for a curry,
the arthritic Indian Muslim woman, assistant to the bouncy blonde
and once-well-shaped Housekeeper Mrs. Trotter at the place would
take great care to serve him from the plates at the bottom of the trays
in the specially heated trolley behind the counter, with the result
he would be knocked out for two weeks at a time after that! So more
and more he had to stay away from the place for his own good. The truth
is, he needn't have bothered, for the assistant housekeeper found it
more and more difficult to stoop down to pick up the loaded plates!
***
“Hands off your c---s and on your socks!”
rapped Dave, the American painter from Chicago, now on a G.I. bill
and down from the Berlin’s Hochschule for Art.
Both Whacky and Bala startled out of their wet dreams
peered into the dimly filtering dawning light athwart drawn thick
burgundy-coloured curtains.
David Rodriguez’s stocky but not muscular
figure in a dark green services T-shirt and dull white pyjama longs
outlined itself sketchily. He was swilling down half a pint of milk at
each longheld breath. Three bottles of golden-top half-pints were arrayed
on the dressing table. One was empty, the second half-full. Dave taught
art in a school in Chicago before deciding to profit from the postwar
American Marshall Plan. In fact, it wasn’t art which tugged at him; it
was Krishnamurthy, the Theosophical Society’s roving mystic preacher.
Dave was looking for a Guru for spiritual guidance, and decided Whacky
would be a good substitute since Krishnamurthy went into hiding somewhere
in Switzerland. So he turned up à l’improviste and berthed
himself down in a sleeping bag in the double-room.
“What the hell!” yelled Bala, and his smile
took over before he burst out in a gaggle of geese gurgling peel of laughter.
Dave whose father was Columbian and mother
Norwegian looked like a non-Indian Mexican with his walrus moustache
and unshaven three-day perpetual growth. A happy-go lucky character, he
hit it out well with Bala. In tune with his spiritual leanings, he never
drank coffee or tea, and adamantly refused a smoke or any hard stuff.
He was one of the early bio-diet boys.
“Where the hell you bought that at this hour?”
croaked Bala and pointed to the fast-diminishing milk in the bottles.
Dave took his time to gulp down the creamy milk and said:
“Not bad at all these British cows! Gives a
good wake-up fillip to the ol’ yen!”
“Hey, how did you get hold of those bottles?”
Whacky joined in, half-suspecting the response.
“Was up early ye lazy louts. Wanted to fill
the old juice bag with some good clean nectar after that fart-full
curries you gave me at the hostel. Opened the front door and what
d’ya know? found these bottles just sitting there on the steps. Some
guy must have abandoned them, so I thought I’d…”
“Hey, come on, those are the housekeeper’s
daily ration. She’ll be ranting and railing all day about thieving
WOGS,” cried Whacky.
“Big deal! How much’s a bottle?”
“Better go down and put that un-opened bottle
back where you found it.” Dave took another gulp and finished the
second half-pinter. “If you want a free bottle or two every morn,
just go across the road to the Lodge entrance and pick any number
you’d like,” urged Whacky. “They wouldn’t miss a thing over there.”
“No sweat! Hey, brother, can I put this coat
on. It’s a bit nippy down there,” said Dave, playfully fondling the
lapels and creases of the suit hanging on the almeirah door.
“By no means,” yelled Bala and jumped out
of bed with the eiderdown trailing all over the floor and reached for
his Hector Power suit that had only the evening come in from the dry-cleaner’s.
“He’s chairing a meeting tonight,” said
Whacky, “a commission, an inquiry commission at the hall into why
and how and who showed films from the Chinese embassy at the place.”
He turned to Bala and asked: “Who asked you to chair the inquiry?”
Bala was all smiles again, once he managed to put the suit away in the
almeirah.
“Zain,” he said. Zain Azraai -
no more the president - was still the foreign serviceman he was
while being president.
***
The games room-cum-concert hall was packed with
chairs. Behind the table on the platform sat to one side of Bala,
Zain the ex-president, and on the other an American journalist,
correspondent in London for the Singapore Tiger Standard [in
which Victorian old boy S. Rajaratnam made good with his column:
"I Write as I Please"] , the same man who had once
interviewed and published a favourable account of Whacky’s studies
in Germany.
For an hour after dinner, questions were raised and
explanations were given while the American took everything down in longhand.
No-one quite understood why he was appointed to the commission. He was
quite obviously preparing a report for someone or some authority. He
never asked any questions though, unless it was to ask the spelling of a
name from Chairman Balasubramaniam in the centre. Bala in his dry-cleaned
suit, sparkling white shirt and Manchester University tie with a gold broach
stuck in it even outshone Zain. The American by contrast had only a dull
pink shirt and white longs on. Bala’s role simply boiled down to catching
hands raised and giving permission to speak from the floor. Zain took over
the role of interrogator. To his repeated question: “Who obtained the
films from the Chinese Embassy?” nobody answered.
Finally, Whacky who was seated at the back,
just behind Dude and his girl, stood up and asked permission to
voice himself. Right at that moment, the American who was stooped over his
notepad looked up and straightened himself.
“Let’s face it, so far everybody who has been
involved in this debate has had nothing whatsoever to do with the showing
of the films. Only one person obtained and showed the films, and that person
is I,” said Whacky in a cool inoffensive tone which was contrary to his
normal temperament, I thought. Dude later complimented him on his calm.
“So you admit it,” said the American journalist. “You obtained the
films and showed them here, right here in this hall.”
“Of course, I did. I don’t see why I shouldn’t?”
He took a short breather and continued. “We here are a multi-racial
community composed principally of Malays, Chinese, Indians, Pakistanis,
Ceylonese, Eurasians, and Indonesians. It was I who organized the
multi-cultural festivities during Deepavali the previous two years, and
to represent our different cultures and to give Malayans and Singaporeans
a deeper understanding of their roots, I went to the various embassies over
here and procured all sorts of films. Yes, these films I showed in this hall
to packed audiences. Our boys and girls also brought along their European
friends to sample our culture. Now, what’s wrong with
that?”
“The question is, you showed films from the Republic
of China. That’s what’s wrong with it,” said the American.
“Where else can I go to get films on the Chinese if it
wasn’t to the Chinese Embassy?” queried Whacky with aplomb. He was not
his usual self. “If there were two Chinese embassies, one for the
Nationalist Chinese in Formosa, and the other for the Popular Republic of
China, then you might ask: Why I chose the Communist embassy.”
All heads by now were turned and fixed on Whacky.
“As you all know, Britain does not recognise Formosa,
and there is only one Chinese embassy here in the United Kingdom.”
The American’s eyes brightened into a glow while he
took a long look at
Whacky. He then leaned over to Zain and said something out-of-reach of the
audience. Zain said something to Bala, and Bala stood up and pronounced the
meeting closed.
***
Whacky kept more and more to himself, reading and
listening to the stack of
Peggy Lee and Rachmaninoff records on Bala's old His Master's Voice gramophone.
The Peggy Lee records Whacky inherited when Michael Joseph had to scat from one
flat to another. One great thing about Bala was his love of classical
music. He once paid US\\$200 for a ticket - the very last ticket - in
Vienna for an opera performance, and if that isn't love, what is? Since
Bala was away every evening at the Swiss Cottage night club, Whacky had the room
all to himself. I once sneaked into the landing just to spy on the guy since his
visits to the hall grew scarce. There he was, playing the Rachmaninov concerto
or overture (sorry, I can't tell the difference! Can you?) over and over again
till his arm must have flagged, aching from the yanking the record player got.
His new white-collar job made him quite a stranger: suede shoes, creased
brown pants, blazer, and ready-made black-velvet tie. He even got himself a new
hair-cut and was putting on weight. In the weekends, he was away playing cricket
and hockey for his workplace team. In short, he became a regular guy and looked
like any one of the law students at Malaya Temple. Next thing, I even
thought he would become a regular visitor to Mason's Arms and who knows? the
Lodge, but that was never to be, thanks to what was going to happen.
The summer drew to a stiff curtain close for the boys.
Now the exams came
back into view. And so did the pea-souper fog. The summer harvest from the
British Council and Swiss Cottage forays meant that twice a week, the boys were
obliged to bring in their girls for the subsidised chow at the hall. The new
MSU-committee, headed by Hwang Peng Huan, approached Whacky (since he had
organized the shows for the previous two years) to get the preparations going
for the annual Deepavali Celebrations which was to include a special
dinner, concert-cum-cultural show of classical and popular dance and music, film
show, and the soirée was to end by the conversion of the place into a
disco joint. To top it all, for the first time at the hall, Whacky decided to
produce a play.
All over the place, Ponna and his Rumour Gang began
to voice doubts about staging a play. And this affected the committee
as well, but President Hwang put his foot down and gave Whacky
his go-ahead signal for the celebrations to take place on October 31,
1959, while promising to help out in any and every way possible. The
gossipers carped quite rightly about the lack of a stage and trained actors.
Whacky refused to be discouraged, so he went on a hunt for boys and girls
with histrionic talents. The news got around quick enough, for as soon
as everybody saw Whacky approach the hall, they all took to their books
pretending to study for the exams in December.
Whacky hit on a sure-fire draw. He spread the word that
he was going to produce a play by the only Asian Nobel Prize Winner in
Literature. And sure enough, instead of running away from him, he had a
hard time keeping the boys and girls from pestering him and waylaying him
every day on his way to work and back. Some even said he was offered
hefty bribes (others held that the potential actresses were even willing
to pay generously in kind) for the protagonists' roles, but, in all sincerity
[cross my chaste cat's ninth soul], I cannot vouch for this kind of rumour
even if I had my ear rather closely tuned to the rumour-mongers' megacycles.
Result, the programme as follows:
Reception and Address of Welcome by M.S.U. President
HWANG Peng Huan
Guests of Honour: His Excellency the High
Commissioner for the Federation of Malaya
TUNKU YA'ACOB and TUNKU MAIMUNAH
I -THE MALAYAN STUDENTS' UNION AMATEUR DRAMATIC SOCIETY
presents
"Sacrifice"
by
Rabindranath Tagore
CAST (in order of appearance)
GUNAVATI (Queen)..............Pamela
Dimney [an ex-Oriental at Harrods]
RAGHUPATI (Priest)..............Leow Siak
Fah [an insurance course student]
GOVINDA (King)....................Lal
Chand Vohrah [law student: Bar & London U.]
JAISING (Servant to the
Prince)..............Chooi Mun Sou [no idea at all]
APARNA (Beggar
Girl).......................Jennifer Bulkley [a professional actress]
NAKSHATRA (Brother to the King)...........Roger Meyer [medical student]
MINISTER (Courtier).....................Manoharan Coomarasamy [schoolboy]
NAYAN RAI (General].........................Robert Abraham [Bar
student]
CHANDPAL (Second in Command of the Army).. Jamshid Medora [haven't a
clue]
ATTENDANT (to the Queen)..................Theresa Ee [Theresa who???]
DRUVA (the Heir to the Throne)............Chandran Coomarasamy [schoolboy]
CITIZENS and OTHERS
Produced by Whacky
Decor by Hwang
Peng Huan and Jin Tay

(from the left) Lal Chand Vohrah, Leow Siak Fah, Chandran Coomarasamy
and Roger Meyer
II - CONCERT PROGRAMME
1. Yu Chun Yee (Pianoforte).........Liszt's Mephisto Waltz
2. George Apel (Violin).........Mozart's Minuet & Kreisler's Prelude and Allegro
3. Hooi Hin Kiong (Baritone)....Two Chinese Songs: Accompanied by Marina Ma
4. TENGKU RAZALEIGH's GROUP (Song and Dance):
Chan-Mali-Chan/Soriram/Tepok Amai-Amai
5. Indian Group and Individual Dances by Reena, Radha & Meeta SEN GUPTA,
Manasree & Chandana BOSE, and Pria MAZUMDAR
III - FILM SHOW( 6.45 - 8.30 p.m.)
IV - DINNER (Three Sittings: 6.45 - 7.45 - 8.45 )
V - DANCE ( 8.30 - 11.45 p.m.)
You'll gather from the above programme that the
times were only meant to be relative. No attempt was made to hurry things
up since the guests of honour arrived only fifteen minutes late.

Multi-ethnic audience in sarees and tuxedoes, led by the
Natchatiram girls from Seremban
Rehearsing for the above programme proved to be quite
a messy challenge. Imagine the multi-ethnic players mouthing English written
by an Indian who created the better part of his work in a non-Christian tongue,
or who habitually only wrote in Bengali while Tengku Razaleigh's group
sang out of tune to Yu's flexions on the pianoforte which bounced
back and forth Hooi's baritone voice, all strung up on Apel's
wailing-ranting violin and the Woody-Woodpecker nail-hammering by the decor
artists, and you'll get a fair idea of the cacophonous strains that
circulated in the acoustics-less games room.
The ex-Indian Army officer Warden was having
his revenge alright. When Whacky approached him to reserve the hall for
the play rehearsals, he would cock his head slightly from his six-feet or
so military erectness, well-swathed in a double-breasted light-chocolate
blazer with knobbly brassy buttons, and say:
" Of course! The hall's yours."
"Shall I come in to work out the times?"
"Don't bother, I've already noted it up here,"
he'd say pointing his index finger to his head.
But, when the players turn up for the rehearsals, the
place would be swarming with some indigenous group singing and swaying about
the place. Then, there would ensue an inter-ethnic debate about rights. Only
when Whacky told them all: "Just think, we have all to live together back
home. What the Warden does here for his own reasons shouldn't affect us back
there!" that the group accepted to let the players go ahead with the
production of the play.
In the meantime, a new threat surfaced. Victorian
Robert Abraham (Class of 52 or 53), though at first a willing participant,
suddenly became less and less cooperative. He would turn up late and by
refusing to blend in with the rest in the action, posed a real problem. Lest
some of you get the idea he was/is a European on account of his
Arabo-Jewish-Christian name, let me assure you his origins are Sri Lankan
Tamil, the Jaffnese variety. On the night itself, when Whacky had required
all players to be dressed and ready by a quarter to eight, he remained in
his suit and tie in implacable indifference.
"Okay, you," I saw Whacky fume. "I'm giving
you five minutes and not a second more. If you're not in your general's costume
by then, I'll play your role. I know your part by heart." Of course he
couldn't have, but I could see Whacky dared him to call his bluff. Whacky
looked daggers at the sullen character who refused to budge his bottom stuck
on a dining table. The eye-balling continued for another few seconds. The
general relented.
Five minutes later, Whacky was back after introducing
the play to the audience. The "general" was in his uniform, though his
head was cowed.
Tunku Ya'acob was especially pleased with the
performance and said what he felt about it to Whacky. So did
Victorian K.T.Ratnam, the Information Officer at the High Commission.
Unfortunately, the audience at the back could hardly hear a word through
all the murmurings of the boys and girls going in and out for dinner in the
adjoining hall.
So, as far as Whacky was concerned, it was a
flop!
Robert Abraham changed colour after the play. He became
friendly. Something he had planned did not work out as he or someone else
wanted it. The next day he was back and wanted to know what had to be
done to get the play going, you know, such as, where to get copyright
permission for the play, where to go for the costumes and how much it would
all cost and so on and so forth. The unsuspecting Whacky naturally gave
him answers to all his questions since the lad used to follow him around
in those innocent school days and tried to ape whatever Whacky did.
A fortnight later, Soosai Pillay, Whacky's
neighbour living next door to the Vias's in Brickfields, came
looking for him at the hall. He was also very friendly. They had lunch
together. Something about him, his smooth light-complexioned skin, fine
features, straight black hair parted in the middle and rising and falling
on either temple like inverted bust-cups, his sharp high-pitched tingling
melodious voice, made Whacky, it seems, forget that they were not really
very close in their youthful days, though they never quarreled.
"What are you doing now? Let's take a walk in the
park," he said and managed to draw Whacky into taking a stroll in Hyde
Park. Once they were on the other side, on the Hyde Park Corner end, he
insisted on his coming to the British Council hostel in Knightsbridge for
a coffee. Whacky hadn't seen much of him anyway over the years, and for
the sake of old times, accepted to go along.
Once at the hostel, he insisted they go into the hall.
It was just en face at the main entrance.
"Come, come, I'm going to show you something,"
he said. Whacky felt there was something wrong, but he followed his
teenage-days friend into the hall equipped with a wide semi-circular curtained
stage though without a proscenium. "You see that," Soosai - who was
studying to become a librarian on a government grant and who returned after
qualifying to become the librarian at the Rubber Research Institute
and the proud owner of the first SAAB car (according to him) in the peninsula
- pointed at the freshly painted decor on the stage. Whacky recognised
the scene as that of the play he had just produced.
"Has a play been staged here?" he wanted to
know.
"Not yet. Tonight, yes." They looked at each
other, and one of them felt like he was being framed.
"That's...that's the...play I just produced?"
"Yes, it's the play you produced alright,"
said Soosai, a leer helplessly creeping into place.
"With different actors then?"
"No, the same troupe!" came the straightfaced answer.
"How come, nobody told me?"
"That's because you're not supposed to know!"
"Who's staging the play here?"
"Can't tell, lah!"
"Why?"
He shook his head as though he was afraid of some
sort of retribution. Then he produced a sheet of coloured paper announcing
the performance for the night.
The producer of the play was given as: Noel
Moonerasinghe.
Whacky recalled being introduced to the
broad-bodied pale brown man with chubby cheeks and wavy black hair,
around five feet nine in height. An ex-Penang Free School boy, then
doing engineering there. He also remembered clearly how every Malayan
student residing in either hostel in Bryanston Square or
Knightsbridge suddenly at the mention of his name often hushed
up in fear and/or in respect. He was of Sinhalese origin and only much
later, years later, Whacky guessed the real reason for his position of
authority among Malayans. The kind of fear he instilled in Malayans,
it seemed to Whacky, was only accorded to heads of secret societies.
Think of the likes of these two together, and
little wonder they are flying at each others' throats out there in the
Emerald Isle!
"...until great Bryanston Square to high
Knightsbridge shall come against Whacky!"
***
So Whacky chucked up his job, the only worthwhile job
he had had up to then. He was leaving the place, this Users' Paradise!
As if you didn't know, this world's divided up into Users and the
Used. I leave you to guess who gets the bigger slice of the cake.
What Use have Users of the Used? Only if they could be Used again.
But if the Usable Used refuse to be Used, what then? Users in Using the
Usable Used attain to great heights! Apart from that, they have only
what they don't have, that is, principles and ideals! In other
words: NADA! You'll say, the Used however have their cold-comfort integrity,
merits and qualities. Of course , you're right. So what? Well, just try
eating it/them. Or try feeding your starving children with it/them?
Okay, stop trying to make head or tail of this sort of
reasoning. That's a cat's logical privilege. Cat's have their form of reasoning
that has not been thought of even in human dreams! This's what humans call
philosophising. If you can't think things out clearly, put them down in mystifying
mystagogy and don't spare any opportunity to coin your own words or give ill-defined
extra meanings to perfectly ordinary words. And don't forget, any Philosophy or
Theology when put down in clear unambiguous language becomes nothing but common
sense minus the mush. So what's the point in not philosophising?
Sample this piece of cat's logic: Wherever Users of this
Kingdom have been forcibly put out - United States, China, Israel, Ireland,
Kenya - life more or less flourishes; wherever they have been tolerated - India,
Pakistan, Bangladesh, Burma, Sri Lanka, Malaysia, Singapore, Nigeria, South
Africa, Palestine, Afghanistan - life deteriorates.
Moral lesson of this tale: USE the USERS! but
don't go on the dole, that's infra-dig. Then, what? Then you'll also become a
USER. And then you can eat USERS while they are eating you all raw and
bleeding! At last, we're back to the dog-eat-dog world, from which it all
started up in the very first place anyway. Only - in the meantime - watch
your back, they are stealing a march up on you!
I only got a view of the back of his raincoat and just
managed to catch the low-key lackadaisical whistling. I followed Whacky
up the winding stairs from the games room. If it wasn’t for the air he was
desperately trying to keep up with, I wouldn’t have even noticed it was Whacky.
I was feeling rather down and in the blues. I know what you’re thinking:
What? a cat got the blues! Well, what’s wrong with that? Hasn’t a cat, too, a
right to feel downcast? After all, times were changing, and I wasn’t exactly the
pet around the joint anymore. You fail to realise, I live alone in this mansion.
No mate, no missus! So why shouldn’t I feel like I got the blues too? And this
despite the Siamese-Cross She-Cat’s cat-walk down Bryanston Square at the
witching hour! That sort of thing is not for keeps, as you know only too well!
What struck me most was that Whacky was whistling my
favourite air: Blossom Dearie’s “Hold Me, Hold Me, Hold Me!” I can’t
guarantee whether Whacky got the words right, but I distinctly heard him
whispering …[with apologies to Comden & Green]:
You don’t have to slay me any judges
Fight me duels like a common
thug
There’s just one way I can tell
You’re doing right by this hell
Hold me! Hold me! Hold me tight!
You don’t have to catch the balls at Lords
Make a record century to-night
Or own a Hector-Powersuit
Or wear a casual Sumo-suit
Hold me! Hold me! Hold me tight!
There are those who make pretend
Rockets are a girl’s best friend
But don’t go steal a Nuke for me….
I must say I was a bit annoyed at the way he massacred the darlingest tune
I’ve ever laid ears on, but the words O! Zapata Forbid! were garrotted and
guillotined like only what a post-colonial Indian poet can have managed! I could
only give thousand thanks the word “paradigm” didn’t ring out in any of
the lines, Ah! Me poor tarnished tongue! Mercifully Spared! Anyway, what’s this
“hell” doing in the fourth line? Can’t really blame him. This place was going to
the dogs the Jerry-kind, and me, I didn’t much care any more either.
As I saw him turn the Square’s corner and head for Hyde Park, I knew in my
bones I’d not see him again for a while, maybe really for years (I heard at a
Ponna tongue-wagging session that Whacky had already been well-and-truly lassoed
by a Hun-girl and that he was only going to the Continent to face the ham-fisted
beer-and-leg-stomping trombone music), but I didn’t really mind, for dear
Blossom’s cosy, cuddly tones filled my insides and tickled me in the
wrong places, and I myself began to rock from side to side. Some of the guys in
the Malaya Lodge said:
“Look, Tim’s drunk; he can’t even walk straight!” To which somebody
else retorted:
“Naaauhh! He stoned, lah, donno his front right from his left hind
paw!”
Guess I got to be after Blossom’s melancholically seductive voice caressed
the infundibulum in my head!
***
End of First Series of the afore-laid “Victorian
(pen-in-cheek) Vignettes” being the incomplete, auto-censored but horrendous
peripeteia of an errant Victorian in Europe, up to about November
1959.
© T.Wignesan July 2001, Paris